Tag: california genocide

  • Shellmounds: Spanish and American Influence on Indigenous Burial Practices and Shellmound Use

    A shellmound is a graveyard, a mortuary complex, an ancient structure. It’s a place where the first peoples who live along the coasts and rivers of California, used to bury their dead. This article briefly explores why that is.

    Spanish Influence on Indigenous Use of Shellmounds

    This changed when Spain Conquistador’s invaded the San Francisco bay area, on June 27, 1776, and established what’s known now as The Presidio, in San Francisco, California. [On July 4th, 1776, thirteen British colonies in North American declared their independence, and formed the United States.] Three months later, on October 9, 1776, is when Mission San Francisco de Assisi was founded and missionization of the Bay Area officially began.

    This missionization of local indigenous people can be characterized by the abduction, forced baptism, and slavery of Indigenous people by Spanish Priests and Conquistadors. And, the outright theft of natural resources (like food) which indigenous people had helped cultivate and depended upon for all of their food, medicine, building materials, etc.

    In spite of the homefield advantage, and larger numbers, indigenous people could not defeat the colonizing Spanish force.

    Spanish conquistadors were cruel, paranoid, psychopathic, mass murdering kleptomaniacs. Their expeditions were marked by massacres of unarmed people; looting of villages’ water, food and gold; and the enslavement of surviving indigenous people. Indigenous objections to the Spanish invaders were often met with attacks on villages, and public executions–a fear tactic meant to terrorize local indigenous people into submission.

    Spanish Missions are places where indigenous people were brainwashed into accepting their slavery and the belief that “indigenous people are inferior to Spanish” colonizers, conquistadors, and especially clergy. Indigenous people were indoctrinated into the Catholic labor system by Clergy through coercion, torture, and threat. And reinforced with food, personal living quarters, better jobs, and some form of acceptance into the Spanish way of life.

    When Spanish colonizers had ruined the ecosystem by grazing, logging, razing, and waste, indigenous people found themselves with little choice but to join the missions or flee to places outside of the reach of the mission system. (In reality, no Indigenous Californians were safe from the missions, except those in the far North of California, where Missions did not exist.)

    Because the Missions were located in Central Areas; and because of the Area of Influence Spanish Invaders were able to exert dominance over was so vast (due to horses); indigenous people of the area known as the Bay Area were forced to abandon their burial practices because they had to abandon the land their graveyard was situated upon.

    This meant that indigenous people had to figure out how to bury their dead using the resources found away from the coasts and rivers they were used to.

    It also meant that, indigenous people were being buried in graveyards at Catholic Missions all around the Bay Area.

    American Influence on Indigenous Use of Shellmounds

    Soon, American aggressors would begin to appear in what they though was their frontier land; an “Indian Frontier”. This was during the time of the “Wild West”, when Indian Wars were being actively fought.

    The Indian Wars would be romanticized for years to come in newspaper stories, and on the screen especially during the 1950’s with such films/shows as:

    • Winchester ’73
    • Gunsmoke
    • The Lone Ranger
    • Davey Crockett
    • They Died with Their Boots On

    But there was nothing romantic about the real story of the California Genocide.

    Americans would purposely destroy or vandalize sacred sites for entertainment or out of spite. One famous shellmound, in Alameda, California, was used to pave Bay Farm Road in 1908. The bodies of ancestors were routinely ground up and used as aggregate for cement, or even calcium enrichment for roses and other flowers (instead of eggshells.)

    The vandalization, desecration and disrespect of Native American Graves and Bodies continues to this day.

    Militias were paid by the United States Government, and (later) the State of California, to hunt and kill all indigenous people. The United States Army “expeditions”, especially what they liked to call “punitive expeditions”, were marked by the execution of indigenous men, and the rape, torture, and mass-murder of indigenous women and children.

    In 1848, the area now known as California was ceded by Mexico, at the end of the Mexican-American war. Two years later, California would officially earn statehood, and its first governor, Peter Hardeman Burnett, during his first State of the State address mentioned the California genocide explicitly.

    “A war of extermination will continue … until the Indian race becomes extinct,” Peter Hardeman Burnett, the First Governor of California continued, “the inevitable destiny of the race is beyond the power or wisdom of man to avert.”

    Now, all Indigenous people were actively under threat by all white people, who were paid for each “Indian” they killed, baby they stole, or person forced into slavery via “prisoner debt” to white business and property owners. Prison debt was money owed to a person or business for a crime committed against it. These were often times for extraordinary amounts of money which the debtor was only able to pay through involuntary labor or servitude. The prison debt system was created to control Indigenous People, and People of Color, and prevent them from gaining any foothold or capital in a society and world which white people viewed themselves as being solely entitled to because of their religious or racial beliefs.

    Once Native Californians were being displaced, forced onto reservations, into indebted servitude, boarding schools, orphanages; and their burial places forced abandoned, and desecrated by American invaders. Many indigenous people began the practice of cremation. One of the most common reason for why someone is cremated was because they wouldn’t be able to be buried with their ancestors, next to their loved ones, or with their family or tribe. It was better to live the afterlife free of their body than to have it defiled.

  • 3 Ways Public Art Promotes Pan-Indian Confusion

    While being billed and paid for as an “homage to the gentle savages which once roamed the coasts and hills of this area thousands of years ago”:

    Many of the images presented to you as “Native American Art”, and installed in places like Parks, Malls, Skate Parks, and other Public Spaces, and “Public Arenas”, are actually the romanticized interpretations by (a) someone who is not Native American and, (b) does not know enough about their subject matter to truly allegorize the sacred dances, symbols, and objects they attempt to vivify.

    The result is a vitiated version of true Native American Cultural Representation Through Art. An impoverished image of who we are, and our physical connection to The Earth; The Animals; Our Ancestors; And All Of Us.

    These images are created with the “understanding” that Native Americans are gone. That we no longer live in a physical sense.

    We take up space in the imaginary place the artist has created. In the place with forests, and mesas; and lakes; and horses; and deer; and the Wolf howling at the Moon; and Iron Eyes Cody.

    It’s probably the same place in your head….

    The same place where “Indian Blankets” are half off. Where you can buy your own “Native American flute” out of a bucket at the door. Next to the Cigar Store Indian; and the “You Are On Stolen Land” t-shirts.

    These images don’t just affect you. They affect us.

    One: It Makes Us Forget Who We Are

    Aside from beating us down by starvation literally; economically; educationally; culturally; and spiritually: these images help erase our sense of individuality in both Tribal and Personal identities.

    We are enshrouding ourselves with the stereotypes they created for us.

    We are letting them convince us that this is who we are. That we don’t exist unless we conform to these images. Their idea of “American Indians”, “Gentle Savages”, “Proud Chiefs”, and “Sexy Squaw”. Those are Halloween costumes.

    We’re convincing ourselves that, unless we aren’t beading, or praying, or posting performative “Indian” [stuff] on social media that we aren’t Indians. That we don’t exist without the identities they try to place on us.

    But we do. And that’s the First Way Public Art Promotes Pan-Indian Confusion: It makes us forget who we are.

    Like, who we really are.

    Two: Pan-Indian Images, Made By Non-Native Artists, Shut Out Contemporary and Authentic Native American Art and Voices (and create false subject matter experts, who only perpetuate the myths of colonization.)

    The artists who rendered these images we see in public become considered subject matter experts, and go on to create more “culturally appropriate” or “culturally inspired” artwork for architects, corporations like tech companies, and more city governments, and municipalities.

    These works of art are now cited as “Native American works”; and referred to as historically & culturally accurate representations of people–who are very much real, and alive, today–as though they were no longer here.

    They contribute to the myth that we’ve just disappeared, somehow.

    This is effectively re-colonizing these places with attenuated versions of us; homogenized stereotypes of the “Indians of California”. Representing the sanitized beginning, middle, and end of an entire civilization that “wasn’t” murdered, buried in mass graves; and pulverized, to be hidden in the very cornerstones of the institutions designed to govern them out of existence…. And yet, still came out fighting like Schrödinger’s Cat

    These works of Public Art help to indoctrinate new generations into the Myth of The Colonization of California. The one where we all just simply disappeared; were “killed by the Spanish”; or “became Mexicans.” …That California was open, lush, and willing.

    This not only prevents true Native American Artists from being featured, or recognized in their own homelands. But, the popularity, and entrenched nature of Public Art (something that’s usually made of steel, or metal, and set in concrete), literally cements these images in the public eye; helping to gloss over, and tune out the real history, living voices, and work of contemporary Native Americans as people and artisans. In favor of the commercialized, white-washed, Pan-Indian images and stereotypes that stalk us everywhere we go.

    We have to stop considering non-native people as the gatekeepers of Native American culture, or the experts on our lives, and lived experiences.

    Three: Works of Public Art Do Not Absolve Governments of Their Duty to Recognize and Honor Native American People

    Public Artwork concerning Native American People should do the following:

    1. Never be a sculpture of a Native American person, unless it was actually made and designed by a Native American person, or a person of Native American Descent.
    2. Be built/created/assembled by Native American people;
    3. In print: acknowledge the Native American Genocide, California Genocide, or the Mass Murder and Removal of Native Americans for the Exploitation of Their Land and Natural Resources as the reason why the viewer is standing in an outdoor mall, and not a lush field–with rivers, fresh air, salmon, and singing forest animals–today;
    4. Recognize the People Whose Land We Are On by Name, and the name of the Tribal Nation as it may appear in Treaty;
    5. Recognize that Public Art cannot undo the past, but it is a way that we can all remember our history, honor our ancestors, and heal together from the sins of our fathers.

    Public Art is a component, and not the whole solution.

    These things should be employed in concert with serious policies of Native American Inclusion & Acknowledgment, like:

    • Native American Representation in City Government, City Events, City Planning
    • Renaming of Some Parks, Streets, Schools, and Other Public Buildings/Spaces
    • Establishing Historical Sites and Districts
    • Rehabilitating, Maintaining, and Protecting the Local Environment
      • Consider doing these things in a sustainable way, with native plants, non-neonicotinoid pest control, and by eliminating nitrogen (fertilizer) run-off.
    • Specifically Prohibiting Development in “Restricted Resource Zones”
    • Actively soliciting local Native American people, artists, and historians, for input and education about their history.

    Just for starters.


    Stay tuned….


    Links in this Article/More Reading:

    https://alamedasun.com/news/new-public-art-place-north-shore

    https://indiancountrytoday.com/archive/true-story-pocahontas-historical-myths-versus-sad-reality