So, I know the whole “plant thing” might not make sense to people who want to build bigger levees, and sea walls.
I’m trying to say we can’t manage with walls alone. Walls cost tons of money. We don’t know how tall to build them, or how fast. The earth is continuing to warm at a runaway pace. And we need to plan accordingly.
Currently, much of our shores are covered with riprap and sand that has been trucked into, and poured upon the surface of the shore. Sometimes the riprap is covered with a steel mesh, and cabled and bolted into place. But it doesn’t matter. Every time we get big waves, increasingly bigger pieces are being taken away from the shore.
Consider the fact that the pre-1900 [“alameda”] peninsula was encapsulated by lush, verdant, thriving wetlands; and that the south shores and bay farm coast were rich in oyster and clam beds.
Just like the rest of the earth, the Bay Area is a living, breathing, place. Our environmental systems sustain life in and around the bay. And floodwaters are supposed to be a regenerative force in the lifecycle of our ancient coastal blue carbon ecosystem.
The roots of fast growing estuarine and aquatic plants (like eelgrass, tule, etc.) stabilize shorelines by trapping sediment in their root systems and creating a buffer zone that absorbs floodwaters. The rising tide and sediment bury plants and form nutrient-rich (low-oxygen) soil which builds up the land mass, and gives rise to new fast-growing growing plants. The interring of carbon captured by the plants, which are buried in a low-oxygen environment, is the main mechanism behind what is now being referred to as coastal blue carbon habitats.
Restoring our ecosystems is the best chance we have to survive as a species. We need to learn how to terraform our own planet before we attempt to colonize another.
A series of events in the community. We invite community members to come together and challenge themselves to create an Acorn Granary, a traditional Native American Storage device to hold acorns throughout the year—but, specifically, built for the purpose of holding acorns over winter, because the Acorn Harvest is in the fall.
Through gathering natural materials and processing them into the supplies we use to build the granaries, participants will gain first-hand knowledge and experience of the importance of access to natural materials and the challenges of preparing for winter. Community members will discover that survival cannot be done alone and that the challenge of the Acorn Granary is not one person against nature. It is about how communities come together and build natural, regenerative systems to adapt and evolve with the landscape in a respectful and sustainable way.
When we came together in July, we came as a small group of individuals taking part in the first-ever Granary Challenge. Our participants ranged from 2nd and 3rd graders, college undergraduates, parents, and grandparents, from diverse social, cultural, and economic backgrounds. And we want you to know, that the framework of our granary was built by our youngest participants—and we are amazed, grateful, and humbled by their instinctive expertise and boundless enthusiasm.
About the Granary
Our Acorn Granary is hosted in the community by the Alameda Point Collaborative Farm2Market. Our granary was built using willow reeds and bay leaves donated from the Land Partners in Castro Valley, pine boughs and poles gathered locally, twine from local hardware stores, and the granary is topped with marine canvas donated from Pacific Crest Canvas.
The Annual Acorn Harvest
The Harvest runs from September through November. The efforts of this community-led initiative are aimed at reopening indigenous foodways. Acorns have not been gathered for food in Alameda, and much of the Bay Area, for over 300 years. Part of decolonizing ourselves, our stomachs, and the places we live, relies on reconnecting with the natural world around us and partaking in the ancient practices of this land.
By practicing sustainable, regenerative agriculture, we are becoming good stewards of our natural world, making space, and opening the pathways to food sovereignty, healing, and wellness for ourselves, and for more than 25,000 Native American/Alaskan Native and Indigenous People currently living in the San Francisco Bay Area.
Even though this was the first-ever Acorn Harvest announced in the City of Alameda in recent history—with a limited budget, and not a lot of marketing involved—we were tremendously grateful and surprised by the wellspring of support from our friends and neighbors in Alameda, and from our followers on social media.
The people who volunteered with us for the Annual Acorn Harvest ranged in age from young to old and represented a large contingent from many different social, cultural, and economic backgrounds. The Acorn Harvest was truly a family event, and we were honored to create these bonds and reconnect, together, with the natural urban forest, animals, and environment we depend on, but often overlook.
Through our community-building and sustainable practices, we helped to divert edible food from waste bins and compost piles. The acorns we did not use for food, we shared with 100K Trees For Humanity, which will germinate and plant new Oak trees in an effort “to increase our urban forest canopies, restore natural habitats, increase urban carbon sequestration capacity to help cities meet carbon reduction goals and for greater equity for cooler healthier communities.”
Acorn Processing & ACORNS! Culinary Series
The acorns we harvested are now being stored over winter in safe locations around the island. In the spring, we will begin processing our harvested acorns to produce Acorn Flour, and Acorn Meal, which we will offer to local Indigenous communities, the Muwekma Ohlone Tribe of the San Francisco Bay Area, and will also be used for our ACORNS! Culinary Series—featuring Traditional and Contemporary Indigenous, and International Cuisine. Our culinary series is generously hosted by the Alameda Park and Recreation Department, at the Mastick Senior Center, and will take place every Sunday in April 2025.
Find out more!
For more information on how to attend the ACORNS! Culinary Series, volunteer for the 2025 Annual Acorn Harvest, or process acorns to create nutritious culturally significant food for our Local Indigenous Communities
As the City of Alameda celebrated Native American Heritage Month with a proclamation, a closer look reveals a disconnect between words and actions.
Behind the ceremonial language and gestures, a deeper story of erasure, misrepresentation, and neglect of Native American voices and histories emerged.
This article examines the proclamation and the city’s approach to Native American Heritage Month, and offers a response from the Alameda Native History Project.
The Mayor’s Proclamation
On Wednesday, November 6, at the Alameda City Council Meeting, Mayor Marilyn Ezzy Ashcraft read a proclamation declaring November 2024 Native American Heritage Month.
Mayor Ashcraft’s Native American Heritage Month Proclamation
“Whereas during November, which has been designated a National Native American Heritage Month, we honor the history, rich cultures and vast contributions of Native and Indigenous peoples to our nation’s history and culture. And whereas there are 324 federally recognized reservations and 10 million individuals who identify as Native American and Alaska Native in the United States.
“And, as President Joe Biden noted in his 2024 proclamation on National Native American Heritage Month, indigenous peoples history is defined by strength, survival, and a deep commitment to and pride in their heritage, right to self-governance, and ways of life.
“However, our nation’s failed policies of the past subjected generations of native peoples to cruelty, violence, and intimidation. And the forced removal of native peoples from their homes and ancestral homelands. Attempts to assimilate entire generations, and stripping indigenous peoples of their identities, cultures, and traditions are some of the darkest chapters of our nation’s history. The trauma and turmoil has fundamentally altered these communities.
“And, whereas, the Biden administration has worked with tribal nations to preserve, protect and steward important ancestral tribal lands and waters, including in 2024, the designation of the Chumash Heritage National Marine Sanctuary, the first sanctuary to be proposed by indigenous communities.
“And, this sanctuary boundaries encompass 4543mi² of offshore waters along 116 miles of California’s Central Coast, where indigenous people have lived for over 10,000 years. And whereas native Americans have long served in the United States military and currently serve in the highest levels of government, including Secretary of the Interior Deb Haaland and enrolled member of the Laguna Pueblo Tribe and former congressional representative from New Mexico, who is America’s first Native American cabinet secretary.
“And, whereas, 380 Alameda residents identify as Native Americans. And, in 2021, were among those who advocated for the city council to rename a public park to Chochenyo Park to recognize the language of the original inhabit of the city of Alameda. The legend Aulani people. Now, therefore, be it resolved that I, Marilyn, Ezzy Ashcraft, mayor of the City of Alameda, do hereby proclaim November 2024 as Native American Heritage Month in the City of Alameda; and encourage all residents to learn about the rich history, culture, and contributions of Native American and Indigenous peoples, including by visiting the Alameda Free Library main library, where both adults and children’s books by Native American authors are on display, and the library’s online catalog also includes a themed carousel of resources for Native American Heritage Month and at the Altarena Playhouse. The Thanksgiving Play by Larissa Fast Horse, the first known female Native American playwright on Broadway, will be presented every Friday, Saturday, and Sunday starting this Friday, November 8th through November 24th.”
At the end of the proclamation, Alameda Mayor Ashcraft invited people to “learn about the rich history, culture, and contributions of Native American and Indigenous peoples” by visiting the Alameda Free Library and by attending “The Thanksgiving Play” by Larissa Fast Horse, “the first known female Native American playwright on Broadway”.
“The Thanksgiving Play” is a satirical play that follows a group of white teachers attempting to create a culturally sensitive Thanksgiving play. However, their efforts are misguided and perpetuate stereotypes, highlighting the erasure of Native American voices and experiences. The play ultimately critiques itself, with the characters deciding not to produce the play due to their lack of understanding and representation. Despite being written by a Native American author, Larissa FastHorse, the play has been criticized for its superficial portrayal of Native American issues and its pandering to white audiences by centering whiteness in a conversation about Indigenous People.
Any mention of the Alameda Museum, and its collection of stolen Grave Goods, taken from the Shellmounds of Alameda was conspicuously absent from the proclamation, which is unfortunate. And what the City did to the Shellmounds of Alameda was left unsaid. And, though the mayor did recognize Ohlone people as the First Alamedans, she mispronounced the word Ohlone, and she called the Muwekma Ohlone Tribe of the San Francisco Bay Area, “the Lejon Alani tribe”.
The heavy reliance upon excerpts from another person’s Proclamation, as well as the mis pronunciation and misnaming of the Muwekma Ohlone Tribe came off as having a lack of respect and understanding for the tribe’s identity and culture–the very thing the Native American Heritage Month was supposed to uplift and celebrate.
And advertising a Thanksgiving play featuring an all-white cast, with no Native American Representation at all (aside from the writer, who is not present) was extremely disconcerting, and–frankly–tone deaf.
This lack of true representation and consideration for the First Alamedans was underlined by the fact that no one from the Muwekma Ohlone Tribe of the San Francisco Bay Area was invited to receive the Native American Heritage Month Proclamation.
Our Response
Alameda Native History Project founder, Gabriel Duncan, was there at the City Council Meeting, and responded to the Mayor’s Proclamation:
ANHP Response to Mayor’s Native American Heritage Month Proclamation
“My name is Gabriel Duncan, and I’m a recognized descendant of the Ütü Ütü Gwaitü Benton Hot Springs Paiute Tribe. I’m here representing the Alameda Native History Project, and I’m here to address the lack of Native American representation in city government committees and commissions.
“Alameda is the homeland of the Muwekma Ohlone Tribe. It has 10,000 years of history in this area, and they’re actually, like, a real tribe.
“And I want to also request that we remove Sogorea Te Land Trust from the city website. Because that’s not an Ohlone organization. And I’d also like to ask that the city make an official apology for the destruction of the shell mounds in Alameda, specifically for paving Bay Farm Road with the shell mounds. Those are bodies. That was a burial ground.
“And that whole area was desecrated.
“And we had more than four shell mounds in Alameda, the largest of with the largest was at Chestnut. And there were others next to Krusi Park, and also on Bay Farm. And the one that we know about on Mound Street. That happened in 1909 [actually in 1901 & 1908]. And it’s been a really long time.
“We know that the mound was there, but the only thing that we really have talking about it is a plaque that’s on a rock. At Lincoln Park. And I don’t think it’s fair that the only other representations of Ohlone People that we have are statues that weren’t made by Ohlone People, that are public art.
“And I think that part of representing the actual culture and heritage of the people who are the First Alamedans starts with actually hiring, like, Ohlone artists to make this art. And for the city to actually apologize for what it did for its part in desecrating the landscape of Alameda. And, it would be really nice when we have this proclamation next year to invite Tribal Members from the Muwekma Ohlone Tribe to accept this proclamation.
“Thank you.”
Gabriel Duncan, a recognized descendant of the Ütü Ütü Gwaitü Benton Hot Springs Paiute Tribe, addressed the city council, highlighting the lack of Native American representation in city government committees and commissions. He emphasized that Alameda is the homeland of the Muwekma Ohlone Tribe, with a rich history spanning over 10,000 years.
Duncan requested that the city remove Sogorea Te Land Trust from the city website, as it is not an Ohlone organization. He also asked for an official apology for the destruction of the shell mounds in Alameda, specifically for paving Bay Farm Road with the shell mounds, which were ancestral burial grounds.
Alameda Times Star Aug-20-1908The Original Plaque at Lincoln Park, unveiled in 1909. #justiceforishiAlameda Times Star Apr-23-1901
Furthermore, Duncan suggested that the city hire Ohlone artists to create public art that represents the actual culture and heritage of the First Alamedans. He also recommended inviting Tribal Members from the Muwekma Ohlone Tribe to accept future proclamations and participate in city events.
By taking these steps, the city can work towards reconciliation, respect, and a deeper understanding of Native American heritage in Alameda.
It sounds so distant when people use the word “ancestors”. Because it’s so safe; and sterilized by a false sense of temporal distance.
Even though those shellmounds contained the Great-Great-Grandparents of Muwekma (the word for “Ohlone People“, in their language, Chochenyo) who are alive and well today.
But the bodies didn’t stay buried.
Bones from shellmounds were used to fertilize the fields, gardens, and flower beds which became iconic as soon as Mark Twain called Alameda the “Garden of California”.
The remains of hundreds of Native Americans were used to pave Bay Farm Road. Twice.
The bodies of thousands of Ohlone people were crushed, and pulverized, to make concrete for sidewalks, and foundations for houses. Their graves pushed over to fill marshland, and level out the numerous railways running through the island we now call “Alameda”.
So it’s no wonder you found someone in your backyard.
Native American Graves are being Still Being Uncovered in Alameda Today
The story goes: a contractor working on a new deck, or a foundation crew digging around the cribs will find some bones. Human bones.
You’re supposed to stop work, supposed to call the Police Department and report the discover of a burial. Because it could a crime scene. Or it could be a Native American Grave.
If the bones look old enough, some contractors will turn a blind eye, and toss them back into the ground for some other guy to dig up.
But that’s not how you should do it.
Here are the 5 Steps to Honoring Native American Graves on the Stolen Land You Now Occupy
Step 1:
Don’t call the Museum!
If you find bones in Alameda while digging, do not call the Alameda Museum.
The Alameda Museum has no one on staff, or on call, who is qualified to identify or store Native American artifacts.
Since 1948 the Alameda Museum had mis-identified Ohlone people as “Miwok”, instead of “Costanoan” which is what Ohlone people in the Bay Area were known as until about the 1970’s. This mis-identification ended abruptly when the Alameda Native History Project interceded in the miss-identification of the First Alamedans (Muwekma) and mis-attribution of their stolen property.
So don’t call them. They don’t know what they’re doing.
Step 2:
Let the ancestors rest!
Stop work.
Don’t touch a damn thing.
🤬 around and catch a curse. Or a case.
[CA HSC §7050.5(a) : Every person who knowingly mutilates or disinters, wantonly disturbs, or willfully removes any human remains in or from any location other than a dedicated cemetery without authority of law is guilty of a misdemeanor….]
I know it sucks: but pay the crew for the rest of the day and send them home.
You’re done for the day.
Step 3:
Report the discovery to the police!
Who honestly knows if this is an ancient burial? Your contractor isn’t an expert either. It doesn’t matter what they say.
Stop work and call the police immediately.
The sooner you call, the sooner this gets settled.
The Coroner is the only person who has the authority to identify whether or not the remains are Native American.
“[I]f the coroner recognizes the human remains to be those of a Native American, or has reason to believe that they are those of a Native American” he or she will contact the Native American Heritage Commission (NAHC) within 24 hours.
NAHC will send for a Tribal Consultant from the Tribal Groups affiliated with the area where the discovery was made, and whomever NAHC also determines is the Most Likely Descendant.
Step 5:
Step back. Tribal Consultants will handle the rest.
Consultation is private. Anyone who isn’t directly involved, won’t be.
At the end of consultation, you will generally be presented with two options:
Re-Inter (or Re-Bury) the ancestor(s) in a place on the property where they will not be disturbed again.
Tribal Consultants will remove their ancestor(s) and repatriate them at their Tribal Cemetery.
That’s it!
You just helped protect Native American Graves, and reunited someone’s ancestor with their family!
Encourage your neighbors to do the same.
Encourage the Alameda Museum to do the right thing, and give their collection of stolen artifacts back to the Muwekma Ohlone Tribe of the San Francisco Bay Area.
What did Alameda look like before the Oakland Estuary was dredged out; and Bay Farm, South Shore, and the West End were filled in?
Where was the Live Oak Forest? What kind of animals roamed what was once known as la Bolsa de Encinal?
The new Alameda Historic Ecology Web Map shows you in exquisite detail, using never-before-seen GIS data compiled and developed exclusively by the Alameda Native History Project.
You can have this map on your wall. Find out how: visit our merch page now.
Decolonizing History
The Alameda Native History Project decolonizes history by providing real and accurate information about the geography and ecology of places like Alameda, which is occupied Muwekma Ohlone territory.
Before now, only over-copied handouts, and over-generalized information has been made available by Alameda’s Historians and Schools. No concerted effort has been made to update this content since (at least) the 1970’s.
This map is a wake-up call for Alameda Historians….
And a challenge to the groups like the Board of the Alameda Museum, and Alameda Historical Commission, to step up their game, and, meaningfully and accurately represent and honor the contributions and lives of all Alamedans, like Quong Fat and Mabel Tatum, with permanent exhibits, public art made by someone of the heritage it represents, and historical districts commemorating more than Victorian houses.
Because, mentions only in museum newsletters, city council declarations…. Or once a year appearances at speaker panels for [AAPI/Black History, Pride, Native American, etc.] Heritage Months are not cutting it.
Featuring Alameda’s Ancient Live Oak Forest, Historic Shoreline, and Bay Area Historic Wetlands layers.
All juxtaposed against the modern day landscape to provide accurate scale and positioning.
Available in several sizes.
Preview the new Alameda Shellmound Map V.2. Available in 3 sizes. Get it now!
More Detailed Historic Geography
Because of the juxtaposition of the historic peninsula with it’s present day silhouette, it is much easier to see which parts of Alameda were physically connected and formed the peninsula more recently known as the “Encinal”.
Both Alameda and Oakland are in a region referred to as Xučyun (also known as “Huchiun”.) Xučyun is part of the ancestral homeland of the Muwekma Ohlone Tribe of the San Francisco Bay Area. Muwekma have lived in the Bay Area for over 10,000 years.
Includes All Four Alameda Shellmounds
For the first time, all four of the Alameda Shellmounds have been put onto one map. Most people only know about the shellmound on Mound Street. But there are more shellmounds, in Alameda. There were over 425 shellmounds in the Bay Area. Including Alameda’s largest shellmound, at the foot Chestnut.
Why is this important?
The existence of the three other Alameda Shellmounds was overlooked by all of Alameda’s previous historians*, including long-time (since retired) curator of the Alameda Museum: George Gunn.
From 1948, to 2020: the Alameda Museum falsely identified the First Alamedans as “a branch of Miwok”, instead of “Costanoan” or Ohlone.
The Alameda Native History Project is responsible for stepping forward and correcting the record, and educating the public about the real Alameda Native History.
This map proves that Alameda History is more than Victorian houses.
This place we call Alameda was once called “La Bolsa de Encinal”. Meaning, “the Encinal forest”. Because the peninsula was host to a verdant, “ancient”, Live Oak forest. (The forest still exists. It just looks different.)
Many of the first accounts of the historic peninsula use rather idyllic, and paradisaic language to describe the rich pre-contact ecosystem that thrived here.
Alameda was once referred to as a “Garden City”. This is the place where the Loganberry was supposedly born.
Historic Shoreline
tl;dr : Everyone wants to know where the landfill is. [There! I said it, okay?] They don’t even really care where Alameda used to be connected to Oakland. Or about the ancient whirl pool in la bahia de san leandro. But, whatever.
Look closer, and you can see the footprints of present day buildings. That’s the landfill.
For real though, I made this layer using pre-1900 shoreline vector data I compiled for the Bay Area region, and stitched together.
Bay Area Historic Wetlands layers
In Version 1, I made a kind of sloppy polygon with historical shoreline vectors, and painted it green. It was a good placeholder for the historic marshes and wetlands of the Bay Area.
Version 2 features the finely detailed historic wetlands layer created for the Bay Area Shellmounds Maps. It features very precise cut-outs for historic creeks, channels and waterways; and features full-coverage of the Bay Area region.
If you want some actual historical eco-data, check out the San Francisco Estuary Institute. They have some brilliant historical ecology GIS you would probably love, if you’ve read this far.
The Alameda Shellmound Map, Version 2, is ground-breaking in its completeness and exquisite detail.
[Footnote: Imelda Merlin mentioned numerous shellmounds in her Geology Master Thesis, but none of her assertions were backed up with any relevant citations. And geology is not archaeology, ethnology, or anthropology, the areas of study that normally concern themselves with Tribal Cultural Resources like shellmounds.
Furthermore, the famous “Imelda Merlin Shellmound Map” was actually a map of Live Oak trees present in Alameda at the time Merlin wrote her thesis (in 1977).
The “Map of Whitcher’s Survey of ‘The Encinal’ in 1853. In Alameda City Hall.”, cited on page 104 of Merlin’s thesis, has never been found by Alameda City Hall, the Alameda Free Library, or the Alameda Museum.
Certainly this means Imelda Merlin has failed to meet the burden of proof required for institutions like Alameda Museum to take reliance upon her claims re: Whitcher’s Survey, and locations of any mounds. Yet, somehow, Merlin’s geology thesis was Alameda Museum’s sole reference regarding shellmounds. (For years Imelda Merlin’s geology thesis was viewed as the authoritative source of information about Alameda shellmounds.)]
Decolonize History
One of the ways Alameda Native History Project decolonizes history is by interrogating the record. This means tracking down and reading citations. Critically evaluating reports and studies for bias. And calling out poor research, and prejudiced conclusions for what they are.
We decolonize history by updating the maps and diagrams of our past. Producing accurate, fact-based educational and reference materials to replace the biased and inaccurate educational products–which are still misinforming our schoolchildren and the greater public today.
By providing a more nuanced and comprehensive perspective; and doing away with the old, over-copied handouts from decades past: we are able to shed the misinformed, and racist, stereotypes and quackery that typify generations which brought us things like: “kill the indian, save the man”, Jim Crow, and “Separate But Equal”.
We vigorously challenge the cognitive dissonance of so many California Historians, asking “Where did all the Indians go?”, at a time when the entire United States had declared war on Native Americans. … Including the first Governor of California, who called for “war of extermination” against California Native Americans.
These ideas, stereotypes, attitudes, and beliefs have managed to propagate themselves time and time again in the textbooks and lesson plans used to “educate” countless generations of Americans.
Alameda Native History Project Calls On City of AlamedaTo Dedicate Park In Memory of Mario Gonzalez
12/15/2023 Alameda, California
FOR IMMEDIATE RELEASE:
On Thursday, December 14, 2023, the City of Alameda announced that it had reached an $11M settlement with the Estate of Mario Gonzalez, and a $350,000 settlement with Mario‘s Mother, to settle claims arising from the death of Mario Gonzalez, who was in Alameda Police custody when he died on April 19, 2021.
While no amount of money will ever bring Mario Gonzalez back—and while this project considers $350,000 a paltry sum for the life of a son, father, brother, and care-taker—we applaud this settlement as the first step in seeking justice for Mario and his family.
The City of Alameda, and the Alameda Police Department still have a long way to go repair the historic harms they have committed against all people of color. Even today, the City of Alameda, and especially the Alameda Police Department are still widely known for their unfair bias and treatment of non-white citizens and visitors to the island.
As the City of Alameda, and the Alameda Police Department, reflect on what this settlement means to the status quo of their enforcement and policing, a permanent reminder should be put in place to help us all remember that every human life is precious, no matter who you are, or where you are from.
We call on the City of Alameda to do three things now:
Officially establish a Park (or “Parklet”) at Oak Street and Powell Street, where the Mario Gonzalez Memorial and ofrenda now stands;
Name that park “Mario Gonzalez Memorial Park”;
Affirm their commitment to protecting the people who live in, and visit, Alameda from excessive force, harm, and death at the hands of Alameda Police, or while in their custody.
For more information about this release, or to support the effort to create the Mario Gonzalez Memorial Park, contact Gabriel Duncan, press@alamedanativehistoryproject.com, (510) 747-8423
###
About the Alameda Native History Project
Alameda Native History Project is a Two-Spirit, Native-run Organization based in Alameda, California, committed to combating anti-indigenous bias and inaccuracies in textbooks, museums, curricula, etc., in the San Francisco Bay Area, and beyond. Find us on Instagram, or on our website: AlamedaNativeHistoryProject.com
We’ve found a pattern of reckless and careless treatment of 100% of those stolen artifacts.
The Alameda Museum has roughly 186 Native American Artifacts. All of those artifacts were found in connection with Native American Graves, except for 2.
So, we can’t say ALL of the artifacts are grave goods. But we can say:
99.93% of Alameda Museum’s Indigenous Artifacts are Stolen Burial Goods from Native American Graves all over the place we now call “Alameda.”
Shellmounds are cemeteries, ancient structures, sacred sites, historical resources, and ancient structures built by the first inhabitants of this area, Ohlone people.
Shellmounds are made rows of burials stacked vertically and alternately; covered with the shell-laden soil found along the San Francisco Bay Region’s shorelines.
There were several excavations of the shellmounds of Alameda.
Artifacts saved from excavations attended by professional and amateur anthropologists/archeologists were donated to both the Alameda Library, and the U.C. Berkeley Museum. [Some artifacts were notably kept by a City Engineer by the name of I.N. Chapman.]
Alameda Free Library existed long before the historical Alameda Historical Society, or the Alameda Museum were ever founded.
The Two Alameda Historical Societies
To be clear about the two Alameda Historical Societies: one of these societies existed in the early 1900’s, and is mentioned in newspaper articles, as being interested in the early Alameda Free Library’s “Museum” in the Carnegie Library.
The second iteration of the Alameda Historical Society started in the 1940’s, and was instrumental in moving the Museum from the basement of the Alameda Free Library, into the old Alameda High School Auto Shop in the 1980’s. And then, into the storefront of the Masonic Building, on Alameda Avenue–where it remains [“lies in state”?] today.
Transfer of Artifacts & Records from Alameda Free Library to Alameda Museum
All of these artifacts taken from the mounds were transferred from the Alameda Library to the Alameda Museum when the Museum moved into the old Alameda High School Auto Shop.
Those artifacts weren’t the only things transferred to the Alameda Museum.
At it’s inception, the Alameda Museum was designated as the Official City Repository for City Records, and the Records of the City of Alameda’s Departments, including (but not limited to,) Alameda’s Fire and Police Departments.
I know this isn’t incredibly relevant, but it’s important to know this background information, especially when the Alameda Museum claims they don’t have stolen artifacts, or that the artifacts the museum displays aren’t Native American Grave Goods. You’ll know that 99.93% of artifacts in the Alameda Museum’s possession are Grave Goods because they were taken from the Alameda “mounds”, which are Native American Graves.
Out of the approximately 186 Ohlone Artifacts in the possession of Alameda Museum, only two of them are unrelated to Native American Graves.
The other 184 artifacts are directly attributed to the shellmounds of Alameda.
What’s more: the Alameda Museum’s pattern of wanton “inattention”, and reckless disregard for these burial goods are clearly stated in the museum’s own records:
History:
Stone mortar and pestle found in one of Alameda’s mounds. The information on the pestle can be connected to a donation documented in the museum records: Subject: One Indian Mortar and Pestle. Date received: April 1954. Unfortunately, as a result of earlier inattention there is no further description, and as a result of later inattention during moves and minor catastrophes, it is not certain the mortar and pestles are together anymore, and the connection has been lost. Part of a collection of objects found in the largest Shellmound, also known as Sather’s Mound in Alameda, or smaller mounds. The excavations at Sather’s Mound were carried out in 1908 by Captain Clark, an amateur anthropologist. The items were donated to the Alameda Free Library, and passed on to the museum when the museum moved to a separate location. Date: April 1954 Mortar Acquired from: unknown Date: before 1991
Condition:
Notes: 6/30/2020 MvL: The label has suffered water damage when a pipe in the museum burst. Any accession numbering of the mortars and pestles was lost and has been redone.
The above excerpt of an artifact’s description establishes the Alameda Museum’s pattern of careless disregard, and reckless neglect of Native American artifacts.
Grave goods belong in graves; not museums.
Mismanagement of Ohlone Artifacts by Alameda Museum:
Misidentified the tribe associated with these stolen Ohlone artifacts;
Mixed up mortars and pestles, (among other things) so they no longer match;
Lost records and identifying information about the stolen burial goods;
Carelessly and recklessly stored, handled, and moved Ohlone grave goods.
This mismanagement, and noncompliance with their Service Provider Agreement with the City of Alameda; with the standards and practice of commensurate professionals and institutions engaged in the conservation and preservation of historical records and artifacts; and the Native American Graves Protection and Repatriation Act (NAGPRA); has resulted in damage to these priceless, irreplacable artifacts, which the Alameda Museum possesses without permission, or right of ownership.
This evidence of unreported and unclaimed, loss/damage to Ohlone grave goods; and the established pattern of careless and reckless neglect of Ohlone artifacts…
Should be reason enough for the Alameda Museum to concede it cannot adequately care for any of the 186 Ohlone artifacts it possesses; and return them to the Muwekma Ohlone Tribe of the San Francisco Bay Area in the most expeditious way possible.
On Monday, September 4, 2023, the City of Alameda’s five-year agreement with the Alameda Museum to provide archival storage expired.
According to the agreement, the Alameda Museum, as an Independent Contractor, would provide the following:
Be open to the public for free at least 15 hours a week.
Be open for free group tours, especially for education based groups.
Store historical records of the city and provide archival preservation.
Dedicate 25% of warehouse to archival storage.
Dedicate an additional 25% of warehouse to the City’s historical exhibits, including documents and photo archives from the Library, City records, Police and Fire Departments, Alameda Recreation and Park Department, and other City records.
Assist with providing archive digital photos and text for City historical interpretive signage as requested.
The agreement made it clear the Alameda Museum is a Service Provider; and not a Civil Servant.
The agreement also provided a standard of care:
Provider agrees to perform all services hereunder in a manner commensurate with the prevailing standards of like professionals or service providers… all services shall be performed by qualified and experienced personnel[.]
Service Provider Agreement Between the City of Alameda and the Alameda Museum executed 09/05/2018
In the Recitals, the Agreement states that the Alameda Museum “possesses the skill, experience, ability, background, volunteer and staff time, and knowledge to provide the services described in this agreement on the terms and conditions described herein.”
But, even when this was signed, in 2018, the Alameda Museum didn’t possess any of the skill, experience, ability or background to perform these services.
George Gunn wasn’t qualified to preserve historical documents; and he didn’t.
George Gunn was an architect; not a serious records preservationist, or an archivist. Sure, he was able to inventory houses outside of the museum. But he never inventoried or organized the inside of museum in any useful or practical way–and this is a truth uncovered by what was supposed to be a routine records request that started almost four years ago.
Before 2019, the Alameda Museum had never bothered to organize the catalogue by Keyword, or Date.
Museum staff had simply redirected visitors to the Alameda Free Library, hoping the Library would do the Museum’s heavy lifting for them; instead of providing access to the relevant materials the Library actually transferred to the Museum.
This is why it always feels like a run-around.
Because the Alameda Museum always tries to redirect you to Alameda Free Library, even if the Library referred you to the Museum.
But this story lead straight to the Alameda Museum from the beginning; and I was not going to be redirected. I had the receipts.
I was following up on a number of items referenced in historical newspapers as donated to the Alameda Library; so I knew those items were in the possession of the Alameda Museum because of the transfer.
Of course the Museum didn’t know what I was talking about at first, and forced me to show them my sources to validate my inquiry.
Despite inheriting such a well organized, and cross-referenced volume of data and objects from the library, the Alameda Museum still managed to index it in a way that made it impossible to search the historical City Records, and City Exhibits. This was the second major hurdle.
When George Gunn finally left, the shadow of his leadership still remained.
The Museum Warehouse was not indexed. And, despite the efforts of the Museum’s volunteers, many of Alameda Museum’s holdings that were indexed, were indexed incorrectly.
This isn’t just proof Alameda Museum wasn’t in compliance with their contract; these circumstances underscore the need for the Archives to be maintained and preserved by a qualified Archival Preservation specialist.
Identification, dating, authentication and assignment of keywords of Alameda Museum’s artifacts needs to be performed by qualified persons. Data Entry and Cross-Referencing of existing card catalogs needs to be performed accurately, and with care.
And this is not to mention the financial and existential challenges George Gunn left Alameda Museum Board Members to deal with in his wake.
None of this is an excuse for the fact the Board Members didn’t do anything to encourage Gunn to provide the services or fire him. Point of fact: Gunn was constantly co-signed; his seat was never contested.
George Gunn, for his part, was belligerent in his noncompliance and perceived omnipotence [read: hubris].
George Gunn thought he would always be able to “survive” his critics… But he resigned in 2021, two years before the Museum’s contract expired.
While people like Dennis Evanosky [sorry, Dennis] and Woody Minor lauded Gunn’s “accomplishments”: Gunn’s only listed accomplishments reflected his own personal interests–outside of the museum–and unintentionally highlighted that Gunn’s notable achievements did not confer a public benefit.
Coincidentally, Dennis Evanosky was a signator to the Agreement with the City of Alameda, as the President of the Alameda Museum Board of Directors.
Museum Lacks Skilled Staff or Volunteers to Provide Preservation Services
Even if the Alameda Museum has been able to stay open for the 15 hours required of it for some of 5 years of this agreement, the Museum certainly does not have the volunteer or staff time to provide the archival services necessary to manage and preserve Alameda City Records.
This is because the Alameda Museum lacks any staff or volunteer hours to do the work that piled up during George Gunn’s tenor.
The Alameda Museum openly admits this:
They lack trained staff, they’re volunteer run.
They don’t have enough staff or volunteer hours to provide access to the Archives.
Board members are largely only scheduled for 2 hours a week.
The Alameda City Records are invaluable, priceless materials the City pays to be conserved in a warehouse suited for archival preservation.
Charging for Admission & Tours At Meyer House could Violate Agreement
Meyers House required $5 cash only admission fee.
The Service Provider Agreement specifically states the Museum must be open to the public (for no admission fee) for at least 15 hours per week.
Is the Meyer House exempt from the Agreement for some reason?
If so, the Meyer House and Garden hours of operations should not count towards to the total amount of time the Alameda Museum is open to the public.
Which would bring the Alameda Museum’s total time “Open To The Public” to only 7.5 hours–exactly half of the 15 hours the museum is required to be open for.
Museum Does Not Have Important Documents Regarding Transfer of Artifacts From Alameda Library
To be honest, my research request has less to do with the Alameda Museum, than with the Official City Repository they are paid to manage.
For context, my research request with the Alameda Museum started on November 24, 2019. And I was looking for archival materials like Newspapers of Records, Archival Photographs and Documents from the Library, City Records from the Council and other Departments and City Offices, as well as objects, artifacts, and other things donated to the Alameda Free Library’s Museum — all materials that were transferred to the Alameda Museum for safe keep, per the Service Provider Agreement between the Alameda Museum and the City of Alameda.
The first hurdle was the Museum’s lack of useful, practical, or accessible index/catalog.
Today, Valerie Turpen claims the Museum’s holdings have been catalogued and can now be searched by keyword — which was impossible before. But this doesn’t mean that my records request has been satisfied, or that I am any closer to reviewing the historical documents I request nearly four years ago.
Part of the reason is because some records are missing.
For instance, it appears that all records of the donation of Ohlone Artifacts to the Alameda Library are missing. There is no record of when the artifacts were donated, or by who. Every artifact in the “Native American Collection” seems to bear the same boiler-plate language:
Part of a collection of objects found in the largest Shellmound, also known as Sather’s Mound in Alameda, or smaller mounds. The excavations at Sather’s Mound were carried out in 1908 by Captain Clark, an amateur anthropologist. The items were donated to the Alameda Free Library, and passed on to the museum when the museum moved to a separate location.
Alameda Museum, “Native American Artifacts” as of May 31, 2022
The images above are a small selection of the Ohlone Artifacts stolen from the Alameda Shellmound and put on display as “Miwok” artifacts until I called the Museum out for their inaccuracies in 2019.
As you can tell from the object description quoted above: the exact provenance is impossible to tell because of Alameda Museum’s failure to accurately identify these stolen burial goods, and preserve integral paperwork related to their “donation”.
The plain and obvious disregard for indigenous objects and history stands in sharp contrast to the careful cataloguing and indexing of the white, Victorian-era artifacts proudly displayed and advertised by the Alameda Museum.
And it begs the question: How can the Museum have spent so much time cataloguing all of the objects owned by white Alamedans, from artwork to silverware to shoes, to the smallest, most inconsequential objects… but completely neglect the provenance, identification, and indexing of the most historically important objects in the entire Alameda Museum: proof of what life was like for the First Alamedans.
These artifacts were celebrated and popular during the early 1900’s. Several lectures were given on the Alameda Shellmounds, which featured artifacts now in the possession of the Alameda Museum.
Is this indicative of how other collections in the Alameda Museum are being mismanaged, improperly attributed, and haphazardly stored?
What other “city exhibits” are being neglected and what other records have been lost by the Alameda Museum?
When’s the last time the Museum even took inventory of their holdings? Seems like the answer is never, if their holdings weren’t even catalogued in 2019.
How could the Alameda Museum have let these conditions persist for so many decades?
Has the City ever inspected it’s own Archives for Compliance with the Service Provider Agreement?
All signs point to, “No”.
Maybe it’s time for the City of Alameda to take a better look at how the Alameda Museum has mismanaged the City Archives;
And either take serious steps to provide required access to those Archives at the Alameda Museum;
Or put out a Request for Proposals from qualified records storage and preservation companies.
On December 6, 2022, at 5:00 PM, Alameda City Council will hold a special meeting to conduct a “Listening Session“, and discuss partnership opportunities with Local Indigenous People and Ohlone Tribes.
Three tribal organizations have been invited to attend: Ohlone Tribe, INC., headed by Andrew Galvan; the Muwekma Ohlone Tribe of the San Francisco Bay Area; and the Confederated Villages of the Lisjan Nation, INC.
This listening session will seek to address a number of topics, including the City of Alameda’s commitment of $22,000 to the Sogorea Te Land Trust; Ohlone Land Acknowledgment; Possible Cultural Conservation Easement; and the creation of an action plan to raise awareness of, and educate the citizens of Alameda about Native American history and culture.
The stakes are high for the Muwekma Ohlone Tribe; as they’ve already seen interlopers raise their flags in Albany and Berkeley; as well as gain land at Sequoia Point, in Oakland, in the form of a cultural easement granted by Oakland City Council–without any regard to the Muwekma Ohlone Tribe, which has over 600 enrolled members, and documented history going back at least 7,000 years.
Not only is a similar monetary commitment to the Muwekma Ohlone Preservation Foundation on the table…. This could be the last chance Muwekma has to be included in the planning of cultural easements and official recognition by the City of Alameda for decades to come.
