During our survey, we identified at least 405 properties which have Oak Trees.
Once everything was processed and plugged into our GIS systems, we were able to identify the footprint of Alameda’s “Bolsa de Encinal“.
1859 Coast Survey Map showing “The Encinal”.
What is la Bolsa De Encinal?
→Bolsa; Spanish, noun.: meaning bag, or purse
→Encinal; Spanish, noun.: meaning Holm Oak grove
→Alameda; Spanish, noun.: poplar grove
→Bolsa de Encinal: Purse of Oaks [It sounds better in Spanish.]
→Encinal de San Antonio: San Antonio Oak Grove
This place we call “Alameda” has been known by many names. All of them have referred to the oak grove (or forest).
La Bolsa de Encinal came about because this place (a peninsula) was like a little pouch or purse attached to the mainland. A purse of oak trees….
The Encinal, or Encinal de San Antonio, literally means “the oak grove”, or “San Antonio Oak Grove”.
And “Alameda” itself means a (poplar) grove of trees.
But make no mistake: “Alameda” is unceded Muwekma Ohlone Territory.
2024 Alameda Oak Tree Survey
Looking at this image, you might not be able to fully recognize the actual density of what we discovered represents an urban forest right where the “historic Bolsa de Encinal used to be.”
The real take-away was that you can’t talk about Alameda’s Oak Forest as a thing of the past.
Alameda’s Oak Forest
Sure, it can be hard to see when you’re surrounded by Victorian houses, and mid-century apartment buildings….
But when you take a step back and look at the big picture: you can see it clearly.
The Oak Forest of Alameda. Bolsa de Encinal.
Despite the fact that many of the oldest Oak Trees in Alameda have been felled by mismanagement, habitat loss, and development; there were still plenty of big old healthy Oak Trees that we found all over the city of Alameda.
We also learned that Coastal Live Oaks (queercus agrifolia) have been designated as a “protected tree” by the City of Alameda (A.M.C. §13-21.7[c]).
And that same code section states: “Any oak tree shall be replaced with a minimum of [two] oak trees”.
This means Alameda’s Oak Forest is not only alive and well, but the island itself is subject to some reforestation efforts.
Why did we perform this survey, anyway?
This survey was necessary to plan for the Alameda 2024 City-Wide Acorn Harvest; which is happening this September and October.
Check out the Oak Tree Registration Form to learn more about how property owners with Oak Trees can contribute to our first annual acorn harvest.
If you are a property owner with an Oak Tree on your property, check out this Oak Tree Registry Form to learn about the specific ways property owners can contribute to our harvest.
If you represent a local business, organization, class, school, or community group, or tribe, and you want to participate in planning, organizing, and/or any other aspect of these activities, reach out via email.
This is an excerpt of a letter sent to ARPD’s Amy Wooldridge, the Alameda Recreation and Parks Department Director; as well as City of Alameda Mayor Marilyn Ashcraft, Vice Mayor Malia Vella; and Council Members: Tony Daysog, Trish Herrera Spencer, and John Knox White [who made the original announcement concerning the indigenous land management of property on Main Street, between Stargell and Singleton.]
Hey Amy,
Thanks for getting back to me so quickly. I wanted to address two things.
1. The Confederated Villages of the Lisjan Nation, INC. is not a Tribal Government; it is a nonprofit corporation.
The name of the true Ohlone Tribe of this area is the Muwekma Ohlone Tribe of the San Francisco Bay Area.
Muwekma has been known as “Costanoan”, the “Verona Band”; and they have self-identified as “Yo soy lisjannes” [“Chochenyo Field Notes”, Harrington, 1921]. Additionally, the present-day Muwekma Ohlone Tribe is comprised of all of the known surviving American Indian lineages aboriginal to the San Francisco Bay region who trace their ancestry through the Missions Dolores, Santa Clara, and San Jose; and who were also members of the historic Federally Recognized Verona Band of Alameda County. [Muwekma.org; as well as both their BIA petitions for federal recognition.]
Federal Recognition could help Muwekma in the following ways, as they relate to ARPD, and the City of Alameda’s relationship with CVL:
A Land Base would be established for Muwekma in the Bay Area,
This may include ANAS/FISC Alameda property; and other open space in the City of Alameda.
Land Banks held by agencies like the East Bay Regional Park District will be transferred to Muwekma
Muwekma would be endowed with the Legal Standing required to bring suit for the cessation of excavation, destruction and/or development of Tribal Cultural Resources in the City of Alameda–
And, this might leave ARPD and the City liable, should they irrevocably devote land and resources to a corporation that is not actually a tribal government (please be careful, because we need our Parks and Rec Department; it would suck if they lost funding because it was reappropriated as restitution, or a settlement.)
Theoretically, there should also be a conveyance from Sogorea Te Land Trust to the Muwekma Ohlone Tribe of the San Francisco Bay Area at this point–as Federal Recognition would render the necessity/mission of a land trust to hold land for an unrecognized tribe moot.
Aside from the factual issues with recognizing a corporation less than 5 years old as a Tribal Government; there is the political consideration.
Muwekma is a tribal nation that is trying to regain federal recognition. One of the most crucial elements they must prove in their petition is that Muwekma has existed as a continuous group since the last time they were recognized as a tribe; and that the tribal governance structure has retained its political influence on said group. This has been extremely difficult for them to plead at the level the BIA requires. And several prominent politicians have spoken out against what they believe is an arbitrary and capricious refusal by BIA to reconsider Muwekma’s petition for tribal recognition. [This is on top of previous judicial opinions also in favor of reconsideration.] But, there is another way that Muwekma can regain Tribal Recognition; and that is by an Act of Congress.
However, to affect this action, Muwekma must have a broader political influence beyond its own membership. This means they would have to gain wider public support for their cause, in order to effectively encourage congressional representatives to introduce legislation renewing Muwekma’sTribal Recognition.
I believe that the City of Alameda, and ARPD’s public endorsement of the Confederated Villages of the Lisjan Nation, INC. as an Ohlone tribe is an error which is detrimental to the rights and struggles for recognition and sovereignty of the Muwekma Ohlone Tribe of the San Francisco Bay Area insomuch that it lends false validity to a corporation that is fraudulently portraying itself as a Tribal Nation to benefit a small group of people over the needs of thousands of bonafide Muwekma Ohlone Tribal Members.
It also contributes to the erasure of all of the people whose ancestors were ground up to pave Bay Farm Road; grade former train tracks in Jean Sweeney; and fill marshland around Krusi, and Harrington Parks, among others.
It is for these reasons that I strongly suggest ARPD, and The City, reach out directly to the Muwekma Ohlone Tribe of the San Francisco Bay Area before you consider doing anything else.
2. Ongoing Contamination of Soil and Groundwater At or Near Linear Park (On Main Street, between Singleton and Stargell)
I’m concerned about the most recent Groundwater Ambient Monitoring and Assessment data regarding Benzene and Naphthalene found in ground water samples around this site. These chemicals were found in 2021 data, and no mitigation activities have occurred, as this site is now open and being investigated. It’s reasonable to assume that groundwater contamination is transient, and could affect Linear Park because it has a drainage ditch well below the surface of the surrounding land, including all sites appearing on the map below. This is the same drainage ditch Tule grows in now.
Additionally, I would like to note that Linear Park itself has been subject to contamination from leaking underground storage tanks (UST’s); which contained gasoline, diesel, lubricating oil, waste oil, and other hazardous materials; which released harmful chemicals, including the two listed above (among others), into the soil and groundwater directly upon the property now referred to as Linear Park.
There are also 26 points within 1,000 feet of Linear Park which have been affected by soil and groundwater contamination, much of the land surrounding Linear Park are subject to Land Use Restrictions expressly against digging/excavating, or using groundwater. Some of these Land Use Restrictions prohibit Schools or Housing from being built on those parcels because of the risk to human health (specifically to children.)
Additionally, there is the existence of the Toxic Marsh Crust, which lies 4-18 feet below the surface of any given point on the map presented here, and presents an unknown and unmitigated hazard to any plant or animal for the foreseeable future. For your reference, the highest water level sampled for this area was given at 3 feet below ground surface (BGS); and the drainage ditches are at least four feet deep.
Please find the attached PDF “CLOS_L_2002-01-14.pdf” which is a letter from the Alameda County Healthcare Services Agency, Environmental Services, Environmental Protection, Hazardous Material Specialist Eva Chu, addressed to the City of Alameda. This document details the contamination at the point where the tule grows in Linear Park, at Singleton and Main Street. This letter notes current concentrations of hazardous materials, and examines how the underground storage tanks were removed, and the land treated.
On top of the soil used for backfill being contaminated, polluted groundwater pumped from the site was sprayed onto the soil to suppress dust during work… further contaminating an area that was supposed to be cleaned.
All of this points to:
A strong possibility that the soil and groundwater harbor contaminants dangerous to humans;
The certain necessity to test soil and groundwater in this area to determine its safety.
Furthermore, certain safety plans must be created before digging, trenching, or groundwater may be used. The attached report also states that the corrective action for this parcel must be reviewed if land use changes.
Currently this land is technically wetland and flood mitigation for tidal surges which typically flood this area. The proposed use: to grow plants for food, clothing, and medicine to be consumed, inhaled, smudged with (,etc.); is clearly a much different use[–for human consumption vs. flood mitigation]. Therefore the re-evaluation of these parcels is not just a good idea, it is an enumerated necessity, according to Hazardous Materials Specialist Eva Chu.
Please find the attached “Map Showing Past & Present Contamination in City of Alameda Proposed ‘Indigenous Land Management’ Parcels”
It is for these reasons that I strongly object to letting anyone manage any part of, or consume any thing from Linear Park–at all–until the question of contamination has been thoroughly examined, and competently settled.
Thanks for your attention to these matters. If you have any questions, feel free to reach out to me.
While being billed and paid for as an “homage to the gentle savages which once roamed the coasts and hills of this area thousands of years ago”:
Many of the images presented to you as “Native American Art”, and installed in places like Parks, Malls, Skate Parks, and other Public Spaces, and “Public Arenas”, are actually the romanticized interpretations by (a) someone who is not Native American and, (b) does not know enough about their subject matter to truly allegorize the sacred dances, symbols, and objects they attempt to vivify.
The result is a vitiated version of true Native American Cultural Representation Through Art. An impoverished image of who we are, and our physical connection to The Earth; The Animals; Our Ancestors; And All Of Us.
These images are created with the “understanding” that Native Americans are gone. That we no longer live in a physical sense.
We take up space in the imaginary place the artist has created. In the place with forests, and mesas; and lakes; and horses; and deer; and the Wolf howling at the Moon; and Iron Eyes Cody.
It’s probably the same place in your head….
The same place where “Indian Blankets” are half off. Where you can buy your own “Native American flute” out of a bucket at the door. Next to the Cigar Store Indian; and the “You Are On Stolen Land” t-shirts.
These images don’t just affect you. They affect us.
One: It Makes Us Forget Who We Are
Aside from beating us down by starvation literally; economically; educationally; culturally; and spiritually: these images help erase our sense of individuality in both Tribal and Personal identities.
We are enshrouding ourselves with the stereotypes they created for us.
We are letting them convince us that this is who we are. That we don’t exist unless we conform to these images. Their idea of “American Indians”, “Gentle Savages”, “Proud Chiefs”, and “Sexy Squaw”. Those are Halloween costumes.
We’re convincing ourselves that, unless we aren’t beading, or praying, or posting performative “Indian” [stuff] on social media that we aren’t Indians. That we don’t exist without the identities they try to place on us.
But we do. And that’s the First Way Public Art Promotes Pan-Indian Confusion: It makes us forget who we are.
Like, who we really are.
Two: Pan-Indian Images, Made By Non-Native Artists, Shut Out Contemporary and Authentic Native American Art and Voices (and create false subject matter experts, who only perpetuate the myths of colonization.)
The artists who rendered these images we see in public become considered subject matter experts, and go on to create more “culturally appropriate” or “culturally inspired” artwork for architects, corporations like tech companies, and more city governments, and municipalities.
These works of art are now cited as “Native American works”; and referred to as historically & culturally accurate representations of people–who are very much real, and alive, today–as though they were no longer here.
They contribute to the myth that we’ve just disappeared, somehow.
This is effectively re-colonizing these places with attenuated versions of us; homogenized stereotypes of the “Indians of California”. Representing the sanitized beginning, middle, and end of an entire civilization that “wasn’t” murdered, buried in mass graves; and pulverized, to be hidden in the very cornerstones of the institutions designed to govern them out of existence…. And yet, still came out fighting like Schrödinger’s Cat
These works of Public Art help to indoctrinate new generations into the Myth of The Colonization of California. The one where we all just simply disappeared; were “killed by the Spanish”; or “became Mexicans.” …That California was open, lush, and willing.
This not only prevents true Native American Artists from being featured, or recognized in their own homelands. But, the popularity, and entrenched nature of Public Art (something that’s usually made of steel, or metal, and set in concrete), literally cements these images in the public eye; helping to gloss over, and tune out the real history, living voices, and work of contemporary Native Americans as people and artisans. In favor of the commercialized, white-washed, Pan-Indian images and stereotypes that stalk us everywhere we go.
We have to stop considering non-native people as the gatekeepers of Native American culture, or the experts on our lives, and lived experiences.
Three: Works of Public Art Do Not Absolve Governments of Their Duty to Recognize and Honor Native American People
Public Artwork concerning Native American People should do the following:
Never be a sculpture of a Native American person, unless it was actually made and designed by a Native American person, or a person of Native American Descent.
Be built/created/assembled by Native American people;
In print: acknowledge the Native American Genocide, California Genocide, or the Mass Murder and Removal of Native Americans for the Exploitation of Their Land and Natural Resources as the reason why the viewer is standing in an outdoor mall, and not a lush field–with rivers, fresh air, salmon, and singing forest animals–today;
Recognize the People Whose Land We Are On by Name, and the name of the Tribal Nation as it may appear in Treaty;
Recognize that Public Art cannot undo the past, but it is a way that we can all remember our history, honor our ancestors, and heal together from the sins of our fathers.
Public Art is a component, and not the whole solution.
These things should be employed in concert with serious policies of Native American Inclusion & Acknowledgment, like:
Native American Representation in City Government, City Events, City Planning
Renaming of Some Parks, Streets, Schools, and Other Public Buildings/Spaces
Establishing Historical Sites and Districts
Rehabilitating, Maintaining, and Protecting the Local Environment
Consider doing these things in a sustainable way, with native plants, non-neonicotinoid pest control, and by eliminating nitrogen (fertilizer) run-off.
Specifically Prohibiting Development in “Restricted Resource Zones”
Actively soliciting local Native American people, artists, and historians, for input and education about their history.
“Alameda Museum: / If you won’t share our history, give our artifacts back / Celebrate the First Alamedans just / as much as your Colonizer Heroes. / Alameda’s Racist History” Title art for @AlamedaNativeHistoryProject on Instagram.com.
Alameda is a model colonial city. Their Victorian houses, and expansive gardens have been written about for hundreds of years. Regular Alameda Garden Tours, and Alameda Legacy Home Tours extoll the virtues of Alameda’s First Colonizers.
These historical celebrations routinely leave out facts, such as,
“This garden was fertilized by using human remains found in one of Alameda’s three shellmounds.”
Or,
“This sidewalk was constructed using one of the over 350 Native American bodies found in the ‘Sather’s Mound’.”
The Alameda Museum is exclusively devoted to commemorating and memorializing Alameda’s White History, while simultaneously ignoring and minimizing the existence and contributions of people of color; and the atrocities committed by those who are purported to be such heroic goliaths of Alameda History, today.
This is all done in the shadows of people like Rasheed Shabazz, someone who had to trace his own Alameda Legacy to bring us Black Alameda History, which was never touched upon, or even considered by an all-white museum staff, and curation team. [
Sure, the Alameda Museum invites us to search their archives. But the word “search” belies the onerous nature of digging through files and card catalogs which aren’t actually indexed or organized in any useful way.
People always offer us the chance to do their work for them, like it’s a favor to us.
But let’s be clear: an archive that isn’t indexed or organized is trash.
The real issue here, is that the Alameda Museum has existed for so long without ever: (a) indexing their holdings; (b) focusing on anything other than Alameda’s White History; or (c) ever asking for permission to possess the Native American Funerary Objects, and Grave Goods in their possession….
The issue of Alameda Museum’s possession of Native American Grave Goods and Funerary Objects is especially salient considering their absolute lack of respectful handling of the Historical Events Surrounding the Sather’s Mound, and the Destruction and Morbid Uses for Alameda’s Shellmounds.
Simply put;
Alameda Museum, if you’re not going to engage the Muwekma Ohlone Tribe, ask for permission to possess their artifacts, and present respectful, and responsible, information regarding the First Alamedans: then you don’t deserve to possess their artifacts.
Learned there were 2 excavations of the Shellmound off High Street, in 1892 & 1908–when the mound was leveled-off. But bodies still remain just under the surface of places which remain largely untouched since those first houses were built.
Found the final, grisly fate of the “450 indians with stone implements”. The remains of Native American people were ground up, and used as aggregate, for paving Bay Farm Road. (Remains were also used for a number of other roads, and sidewalks.)
Learned that there are over 425 shellmound sites in the San Francisco Bay Region.
All of this will be addressed in later articles. Excerpts of the Articles on both excavations will be grouped together, and populated in the Wiki. But… this project has a lot of departments, [seriously, it’s bigger on the inside,] so bear with me.
Findings:
Shellmounds are, first and foremost, cemeteries; and should be respected, not disturbed.
The actual, pre-contact, population density of Native Americans in the Bay Area is grossly under-stated.
Not many people know about the shellmounds, despite that fact that many shellmounds are usually less than 15 minutes away from any place in the San Francisco Bay Area.
Gate-keeping, and white-washing exists in all facets of academia; and must be countered in every way reasonably possible. History should be based on fact. And sources needed to be vetted more often.
There must be a proactive effort to identify and protect Native American graves on private property; and to educate the public, and concerned persons, about the development, and usage of non-invasive sensing technology that requires no touch, and no digging.
The interface for said effort with private property owners and occupants should include reassurance that their land rights should not be infringed upon, either; but creating a permissive easement, and/or right-of-way for descendants, and tribal members to come visit with their ancestors is something that can go a long way in settling the affairs of the land.
Phase 2 of the Alameda Native History Project is a natural next-step for the project.
After gathering, compiling, indexing and aggregating information about the Alameda Shellmounds, it made sense to see where other shellmounds in the San Francisco Bay Region are.
“This phase of the project includes a lot of mapping, satellite imagery, and field research.
It’s the perfect mix of the things I love: travel, investigation, maps, and history.”
Gabriel Duncan, for the Alameda Native History Project
Mission: The Search for Undiscovered History
Objectives
Conform N.C. Nelson’s, “Map of the San Francisco Bay Region Showing Distribution of Shell Heaps” to the current geography of that same region. Fully plot, and find the geographic coordinates of the mounds marked as “still present”. [Completed.]
Use satellite, photogrammetry, Light Detection and Ranging, and other imaging available to analyze said coordinate for specific elevation and topographical qualities.
Make a list targets to investigate, and perform a preliminary investigation to determine if further focus is warranted.
