A Frequently Asked Question about Ohlone People, the First Alamedans, and the Tribe Fighting for Federal Re-Recognition.
This is one such reply.
(more…)This is one such reply.
(more…)On a very basic level–without being reductive–these academic papers; all of the information; tangible and non-tangible things that have been developed, derived, or created from the desecration of our ancestors….
Link: https://escholarship.org/uc/item/1059d63h
A dissertation written by Francesca A. Romeo, in 2021; and submitted for partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Digital Media, at UC Santa Cruz.
This dissertation examines the intersections of technology, human rights, and “testimony through representations of the dead, dying, disappeared or wounded body.“
It starts with an examination of the testimony through intimation, like Facebook Live Streams of police murders of black men.
Includes the examples how images of the murders of Oscar Grant, Stephon Clark, Eric Garner, (and too many more) stood as an intimate testimony that galvanized a community of people who are still being brutalized, and executed, by the police. And these images also served as a counter-narrative to the lies Police, City and other Officials would have told us about why these black men died.
The power of these images, and videos, the way that these people documented their lives: let the audience experience what it was really like to be the “other”, at the hands of injustice and inequity.
These testimonies are powerful tools that can be used to help communities mourn, and harness the outrage, and energy behind social movements, and changes in policy.
Read the article, for free, on eScholarship.org, https://escholarship.org/uc/item/1059d63h
willfully and knowingly, with the intent to deceive, by means of false statement or representation, or by failing to disclose a material fact, or by impersonation or other fraudulent device, obtained or retained [more than $950] aid under the provisions of this division for himself or herself or for a child not in fact entitled thereto.”
California Welfare & Institutions Code Sec. 10980(C)2
I hereby confess… [d]efendant fraudulently received public assistance benefits from Alameda County that [she] was not entitled to by submitting false written statements under penalty of perjury.”
Corrina Gould, “Statement and Declaration for Confession of Judgment”, Alameda County Civil Case Number 1997002685
The case file was destroyed pursuant to the law which governs case file retention. (Information about the offense, and Gould’s subsequent conviction is still available in the Alameda County Superior Court Criminal Index.)
But the Welfare & Institutions Code statute Corrina was sentenced by enumerates terms of imprisonment as 16 months, 2 years, and 3 years, or “a fine of not more than $5,000,” or both. The Criminal Index indicated Corrina Gould’s sentence as “Sentence: 001 jail and fined.”
Corrina Gould was also sentenced to 36 months of probation for defrauding Alameda County Social Services. The exact dollar amount Gould illegally obtained is unknown.
At the time of Corrina Gould’s conviction for Welfare Fraud, she was working at the American Indian Family Healing Center, in Oakland, California. She would later work for the American Indian Child Resource Center, as a Title VII Coordinator. It’s unclear if either organization knew of Corrina Gould’s conviction for this type of fraud; or, whether or not Gould was involved in filing claims, and/or applying for benefits on behalf their clients.
Today, Corrina Gould is the spokesperson for Sogorea Te Land Trust, and Confederated Villages of the Lisjan, INC. She was also a co-founder of Indian People Organizing for Change.
Use DomainWeb to view Alameda County Superior Court Documents online.
Alameda County Courts website is at Https://alameda.courts.ca.gov
A lot of people wanted to know, “What is a shellmound? What does a shellmound look like? How big were the shell mounds?”
While one could spend time curating schematics, maps, and historical images…. there are truths which reveal themselves.
The best way talk about shellmounds is to show them.
There are two Shellmound Models available. They are version 2.5, and 2.6, respectfully.
Version 2.6 is in .REAL format, which is used with Adobe Aero, a mobile-based Augmented Reality platform.
Version 2.5 is in USDZ format. Universal Scene Description is used by Pixar (among other companies); and is now a native 3D Object Format for both iOS and Android 3D Object Viewer.
These shellmound models were created for educational, and research purposes. Commercial use of this model is strictly prohibited.
When featuring this model, please include the following citation:
“Shellmound Model created by Gabriel Duncan.”
Shellmound Model v.2.5 | (download) |
Android / iOS (.usdz) | |
Shellmound Model v.2.6 | (download) |
Adobe Aero (.real) ![]() | (in-app) |
Tag your AR experience on Instagram using @AlamedaNativeHistoryProject!
Send us a note, share your stories via collab@alamedanativehistoryproject.com!
For the first time ever, an entirely independent research project, led by a Native American descendant, has produced a tangible representation of pre-contact Native American Spirituality and Engineering.
As a descendant of California Native Americans, adopted out of my tribe at birth, raised by white people, and growing up in a place like Alameda–which is a “good ole boy” town, and known for it’s white racist, residents, and it’s over-policing of people of color….
As all of that…
I needed more than these pretty words and vagaries.
More than a rock in the middle of Lincoln Park, in Alameda, Commemorating the Ohlone Shellmound the City of Alameda dug up and used to pave Bay Farm Road.
When public figures speak about shellmounds, they are referred to in terms of what shellmounds symbolize.
We’re given a rosy, idealized, wash of what life was like in the San Francisco Bay Area before the Spaniards and “White People” came.
It’s very light on details, but gives us just enough to sort of “dream” of what life was like.
This is all well and good if you’re not that interested.
If all you wanted was a simple answer to the question of,
But some people want to know what it looked like, really. In the sense of being able to know where things were. Being able to see what kind of plants were growing at that time (some plants and animals have gone extinct in the intervening 300 or so years.)
Where an impetus should be placed on saving those withered, orphaned pages, plastered to the back of shelves, and in the dark grimy corners of filing cabinets. Getting those pages archived, digitally. Creating new renditions of old data and information, in modern formats. In high-fidelity.
The last scribbled field notes, and crumpled photographs that are almost lost to history; but which carry the little bits and pieces glossed over by researchers who were never looking for more than statistical data, or a PhD. Or who just hunted for the citation, without bothering to read and comprehend the rest.
We need our histories, language, and secrets, to help us re-imagine what a De-Colonized Future really looks like. To help us repatriate the ancestors being returned to us from these museums and universities. And we need land back, so we can have a place to bury our ancestors, and let them rest in peace.
It was cataloged and scattered around the world, to different museums, universities, and private collections. Everything from our oral histories to our ancestors’ bodies are in pieces.
There was a time in America where white-passing Hispanic people claimed to be White, and light-skinned Native Americans pretended to be Mexican.
This was because Native Americans who were caught in public, off the reservation, could be subject to arrest–where a white man could “buy an Indian” as a slave–forced on to a nearby reservation, or just killed on the spot.
Mexicans and Spaniards were allowed agency, and relative freedom, when compared to the possibility of being criminalized and sold into slavery, or killed.
So that’s why many Native Americans declared Mexican ancestry, and took Spanish last names, or married into those families: to hide from the terror and racism Native Americans were subjected to by the American Government.
These people, with surprise ancestry, or “hidden heritage” cannot be discounted. They have been completely oblivious to their own ties to this land, and these shellmounds.
But, an awakening is happening, the veil of [necessary?] secrecy is finally being lifted.
How can we teach ourselves, and each other about what Native Land really is, without being able to visit it, or even talk about what they look like?
Examples like the diorama of the Tuibun (Ohlone) Village at Coyote Hills Regional Park, in Fremont, California, are invaluable to helping one imagine, envision or just “picture what it was like.”
Strange word, “dis-enfranchised”.
As a descendant of California Native Americans, adopted out of my tribe at birth, raised by white people, and growing up in a place like Alameda–which is a “good ole boy” town, and known for it’s white racist, residents, and it’s over-policing of people of color….
More than a rock in the middle of Lincoln Park, in Alameda, Commemorating the Ohlone Shellmound the City of Alameda dug up and used to pave Bay Farm Road.
The symbolism of shellmounds is tied to colonization, and landback, and rematriatrion, and gardens.
But what about the other shellmounds?
Every article says the San Francisco Bay Area had at least 425 Shellmounds. But these rely on the recitation of the same, stale facts. The main narrative, and recurring implication, is that, all the shellmounds have been destroyed, and there’s nothing left but three locations in the San Francisco Bay Area:
Because the mission of the Alameda Native History Project was to discover what happened to the Alameda Shellmounds; and that, of course lead to researching other Shellmound locations, I learned: of these three locations, only the shellmound in Emeryville is the correct location.
Upon closer inspection both Glen Cove and West Berkley Shellmounds exist, or existed about 100 feet away from the locations Corrine Gould has alleged, on average. Which wouldn’t be such a big deal if there weren’t huge protests and millions of dollars spent in legal battles over protecting a thing that wasn’t even there. It’s not even a masked-man fallacy. But it’s close. (Especially in West Berkeley.)
This brought about frank questions like, How come Corrine Gould is only interested in Shellmounds that are already destroyed? How come her groups aren’t interested in protecting other shellmounds, like the four at San Rafael Rock Quarry? (She went out to Miwok Territory, despite the fact she’s Ohlone and occupied Glen Cove Park, without the permission or endorsement of the real tribes who’s territory Vallejo falls in.)
Is it just easier to advocate for seizing parking lots? An open space can fit hundreds of protestors, and garner much more attention, when it’s in the middle of a city. Places like outdoor malls, and the center of a shopping district are perfect for garnering public attention. Maybe that’s why more remote mounds in places like Contra Costa and Marin county haven’t been advocated for?
Regardless of the new questions the research has uncovered, the Alameda Native History Project has a self-proclaimed mission to educate the public about shellmounds, and provide detailed, actionable information for their preservation, and protection.
As such, this project will continue to produce and release educational and research materials; to bring attention to all San Francisco Bay Area Shellmounds, and advocate for their protection.
But it’s hard to do that when the leading voice is trying to limit, or stifle the discussion about Shellmounds, to the point of providing incorrect information about their locations.
A lot of people wanted to know, “What is a shellmound? What does a shellmound look like? How big were the shell mounds?”
And, while one could spend time curating schematics, maps, and historical images there are truths which reveal themselves.
There are two Shellmound Models available. They are version 2.5, and 2.6, respectfully.
Version 2.6 is in .REAL format, which is used with Adobe Aero, a mobile-based Augmented Reality platform.
Version 2.5 is in USDZ format. Universal Scene Description is used by Pixar (among other companies); and is now a native 3D Object Format for both iOS and Android 3D Object Viewer.
These shellmound models were created for educational, and research purposes. Commercial use of this model is strictly prohibited. When featuring this model, please include the following citation:
“Shellmound Model created by Gabriel Duncan.”
Shellmound Model v.2.5 | (download) |
Android / iOS (.usdz) | |
Shellmound Model v.2.6 | (download) |
Adobe Aero (.real) ![]() | (in-app) |
Tag your AR experience on Instagram using @AlamedaNativeHistoryProject!
Send us a note, share your stories via collab@alamedanativehistoryproject.com!