Month: January 2021

  • Last week, on ANHP….

    A new video was introduced.

    New plats were made.

    (more…)
  • Changed Welcome Page

    New layout.

    Focus on graphics.

    Still fleshing out other stuff.

    And updating when I can.

    Also, these blog pages have a new layout that I haven’t customized at all yet. Sorry it’s so bright.

    I think that’s next.

  • A Brief History of the Alameda Native History Project

    Phase 1: “Unauthorized Alameda: The Indian Burial Mounds”;

    The true story of what actually happened to the Mound off High Street, in Alameda, California.

    Includes Haunted Alameda:

    A collection of ghost stories about living on and around the Alameda Shellmounds.

    Phase 1

    Unauthorized Alameda:

    The Indian Burial Mounds

    Mission: Find the true history of the Alameda Shellmounds.

    Objectives:

    1. Find out where the only known Alameda Shellmound was.
    2. Find out what happened to the mound.
    3. Find out where I can see the artifacts from the mound.
    Status: Complete

    Outcome:

    1. Learned there are 4 Shellmounds in Alameda; and where they are, today.
    2. Learned there were 2 excavations of the Shellmound off High Street, in 1892 & 1908–when the mound was leveled-off. But bodies still remain just under the surface of places which remain largely untouched since those first houses were built.
    3. Found the final, grisly fate of the “450 indians with stone implements”. The remains of Native American people were ground up, and used as aggregate, for paving Bay Farm Road. (Remains were also used for a number of other roads, and sidewalks.)
    4. Learned that there are over 425 shellmound sites in the San Francisco Bay Region.

    All of this will be addressed in later articles. Excerpts of the Articles on both excavations will be grouped together, and populated in the Wiki. But… this project has a lot of departments, [seriously, it’s bigger on the inside,] so bear with me.

    Findings:

    1. Shellmounds are, first and foremost, cemeteries; and should be respected, not disturbed.
    2. The actual, pre-contact, population density of Native Americans in the Bay Area is grossly under-stated.
    3. Not many people know about the shellmounds, despite that fact that many shellmounds are usually less than 15 minutes away from any place in the San Francisco Bay Area.
    4. Gate-keeping, and white-washing exists in all facets of academia; and must be countered in every way reasonably possible. History should be based on fact. And sources needed to be vetted more often.
    5. There must be a proactive effort to identify and protect Native American graves on private property; and to educate the public, and concerned persons, about the development, and usage of non-invasive sensing technology that requires no touch, and no digging.
    6. The interface for said effort with private property owners and occupants should include reassurance that their land rights should not be infringed upon, either; but creating a permissive easement, and/or right-of-way for descendants, and tribal members to come visit with their ancestors is something that can go a long way in settling the affairs of the land.

    Phase 2 of the Alameda Native History Project is a natural next-step for the project.

    After gathering, compiling, indexing and aggregating information about the Alameda Shellmounds, it made sense to see where other shellmounds in the San Francisco Bay Region are.

    “This phase of the project includes a lot of mapping, satellite imagery, and field research.

    It’s the perfect mix of the things I love: travel, investigation, maps, and history.”

    Gabriel Duncan, for the Alameda Native History Project

    Mission: The Search for Undiscovered History

    Objectives

    1. Conform N.C. Nelson’s, “Map of the San Francisco Bay Region Showing Distribution of Shell Heaps” to the current geography of that same region. Fully plot, and find the geographic coordinates of the mounds marked as “still present”. [Completed.]
    2. Use satellite, photogrammetry, Light Detection and Ranging, and other imaging available to analyze said coordinate for specific elevation and topographical qualities.
    3. Make a list targets to investigate, and perform a preliminary investigation to determine if further focus is warranted.
    4. [Reserved.]
    STATUS: Ongoing

    Stay tuned for more.

  • Zombie: The Incident At Bloody Rock – Forewords

    Cover art.

    Publishing Notes

    Originally posted to a Google blog called “Gabriel Duncan’s Zombie”, in 2011; which was re-syndicated from my original websites LonelyOcean.co.uk; and LonelyOcean.net [check the WayBack Machine]. I know that this story was written in 2006, finished and published shortly before the release of the film adaption of Richard Matheson’s book, I Am Legend.

    I know it’s important to distinguish my work, Zombie: The Incident at Bloody Rock, from other works. But, the book I Am Legend, and the movie, “I Am Legend”, are important to distinguish from each other because:

    1. The book, I Am Legend was a racist white man’s response to Integration; the basis for the idea of “White Flight”; and he called all the zombies “vampire n-word’s”.
    2. I Am Legend“, the movie, uses the premise of HIV being re-engineered to cure cancer by replacing malfunctioning cells with healthy cells, in some sort of CRISPR-esque way; oh yeah, and the main character is an African-American (Black) U.S. Army Lieutenant Colonel, and a Virologist–which is a far cry from the racist white guy hiding in his house, and performing mideval experiments to discover the best way to kill these …. vampire n-words. [What the hell. Seriously, the racism was barbaric. But, *spoilers* the main charecter in Matheson’s book was ultimately tried and executed for crimes against new humanity. …Which is sort of how the movie ends…. Sort of. That’s why the ending is a little weak, with the outro monologue. Sorry, my opinion.]

    Zombie: The Incident at Bloody Rock

    This is a story about the cure for the Human Immunodeficiency Virus; coupled with a mysterious enzymatic (bioenhancer) package, which became the catalyst for a zombie apocalypse. It’s got all the trappings of legit psuedo-science; plus some dark-corporate-money influence!

    This story is written from the view point of someone who watches his brother become one of the first people to receive the Miracle Cure. This story takes place at a remote Children’s Research Hospital, in Northern California; on the eve of the roll-out of the Miracle Cure. It’s all so promising. So hopeful. Until the kids start getting sick.

    This is the first of a series of at least three parts.

    The second part is being written now. Third part is already outlined.

    Some things I want to note:

    1. These zombies are re-animated through an anaerobic, chemical-electrical process that somehow leverages the components of the body for fuel, in an ultimately degenerative process.
    2. The idea of using a re-programmed RNA virus made the most sense. The other possible candidate was a prion-type genetic mutation.
    3. This idea has a twist:
      • People who were previously infected with HIV seem to regain most of their higher brain function.
      • Those who are not infected with HIV-1 or HIV-2 become the most basic, hyper-violent version of zombies.
    4. The primary influence behind this variant of Zombie Disease is the idea of augmentation. Something I’ve seen in the Resident Evil universe, specifically the series of books by S.D. Perry. And even Borg maturation chambers, to a certain extent.
    5. The book Medical Jurisprudence, Forensic medicine and Toxicology. Vol. 1, by Becker et al. was my main source material for the matters of death and dying; and, of course, Stiff: the curious lives of human cadavers, by Mary Roach.

    Anyway. That was the brief introduction to the universe of what’s officially known as Gabriel Duncan’s “Zombie”.

    Stay tuned for Chapter 1.
  • Alameda Native History Project Wiki MOVED TO https://nativehistoryproject.org/wiki

    Alameda Native History Project Wiki MOVED

    The ANHP Wiki Has Moved

    Please update your links.

    The new URL is: Https://nativehistoryproject.org/wiki

    This concludes the AlamedaNativeArt.com Service Announcement.

  • Keeping the Design Fresh & Adding Functionality

    Keeping the Design Fresh
    Adding Functionality

    I’ve been performing some copy editing, graphic art production, and user experience design, to make the website more user-friendly. Also because images can convey information in a way that is not as readily available as print.

    I try to make sure to optimize for both Desktop and Mobile views. If you’re wondering why the website doesn’t look right in Tablet view, that’s why.

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  • Phase 2: The Search for Undiscovered History

    Phase 2

    The Search for Undiscovered History

    Using technology to rediscover our everyday surroundings.

    Employing citizen science to crowd source casual and scientific observations. Wading through the tule. Using LIDAR, Photo-grammetry, and Geocode.

    (more…)
  • AlamedaNativeArt.com Series Schedules Announced

    AlamedaNativeArt.com has several, concurrent, series and galleries being published right now. Here’s a break-down of what you can expect.

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  • Menus Fixed

    I updated the menus for the site. Here’s a quick breakdown of what the sitemap looks like right now.

    Stay tuned for more updates.
  • Growing Up on the Alameda Indian Burial Mounds

    Growing up on Court Street, in Alameda, I found a large bone. It looked like a vertebrae. It was laying in the dirt, underneath the deck, in the backyard.

    My parents told me it was a cow bone; something that the owners of the house before left behind. Or their dog. –Or it was their dog.

    But it was large–like I said–but not “cow-bone large”….
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